Friday, 6 June 2014

[W615.Ebook] Ebook Free Forgotten Bodyguard 1: (A Forbidden Fruit Novel), by Ali Parker

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Forgotten Bodyguard 1: (A Forbidden Fruit Novel), by Ali Parker

From Best Selling Author, Ali Parker...
 
It's hard to tell a bad boy to keep his hands off the hottest asset under his watch... especially when she wants those hands all over her.

Chloe Moore has money, status and popularity, but she yearns for the missing piece - freedom. Her father is the governor of California and has decided to run for President of the United States. Due to some of his political positions, he's receiving death threats. With no choice, Chloe is given a shadow, a bodyguard that has been instructed to never leave her side as she attends school at UCLA. Her life before her father's decision to run was restrictive, now it's unbearable.

Ian Matthenson has worked himself up from the shitty start he got in life. Coming from the wrong side of the tracks and spending more time in jail than not, he's finally cleaned up and proven himself to the right people. His older brother gets him a gig he can't refuse - protecting the college-aged daughter of a political icon, a man even he looks up to. He has no concern over his ability to keep the pretty little tease safe, but keeping his hands off of her is going to be the feat of his existence.

Things heat up as Chloe pushes Ian to the edge, both physically and mentally. It's only when her life is in danger that he realizes that perhaps it's not just his paycheck that causes him to protect the girl's body so closely...
 
This is book 1 of a series. A cliffhanger is inevitable. 

18+ Explicit sexual content, harsh language, and mild violence.

  • Published on: 2015-09-19
  • Released on: 2015-09-19
  • Format: Kindle eBook

Review
Praise for Ali Parker's Forgotten Bodyguard...

"Wow!! 5 star awesomeness! Totally captivated me right from the beginning, the story of Ian and Chloe is just beautiful."~Amazon Reviewer

"Forgotten Bodyguard is a fast paced, action packed, forbidden romance with well-rounded characters." ~ Amazon Reviewer

"What an amazingly hot read while I was on vacation! Chloe and Ian - wow!" ~ Amazon Reviewer

"Forbidden romance is hot, and Ali's doing it well." ~ Amazon Reviewer

"It is a fast-paced story with the right mix of romance and action and suspense to keep your attention."  ~ Amazon Reviewer

About the Author
Ali Parker is a contemporary & paranormal romance writer who is looking to flood the market this year with lots of great, quick reads. Thanks for picking up one of my books!! Ali also writes Sci-Fi Romance under Liza Probz - http://amzn.to/1KvnczE

Most helpful customer reviews

28 of 29 people found the following review helpful.
Typical
By Karen Smith
DNF. I got to the 34% Mark and couldn't go further. There's nothing original here. Spoiled, rich, college girl who insists she isn't spoiled and does absolutely nothing to show that she isn't spoiled is our heroine. She throws herself at our hero in a club and then blames him for not taking her up on the invitation. Her narrative digs for sympathy. Nope, can't find any. Let me dig a little deeper. Nope, I'm fresh out of give-a-d@mn for our heroine. Our hero is a bit less well drawn. He had a rough life, made some extremely poor choices, and still pays for them. He's not exactly sympathetic either and I can't figure out why he would want to guard the bratty, entitled princess if not for the paycheck. He's a bit of a man-whore, but he's not doing the pursuing, merely accepting the invitations received and not pretending that those encounters are anything but sordid.

Aside from the stock characters, the content is riddled with errors. Plurals and apostrophes are not the same. Some words are misspelled (midriff, not mid-drift; lip-synch, not lip-sing). IOW, the book needs editing.

The final slam is the alternating narrative point of view. It's an affectation that I dislike more and more, because it's often not done well. In this book there isn't even the courtesy of the narrator's name to indicate whose POV you're reading. It doesn't take long to figure that out, but it is annoying.

My recommendation is to find another book that doesn't rely on worn out tropes and isn't littered with errors.

7 of 7 people found the following review helpful.
Finding Somebody to Love
By Wolverine
Forgotten Bodyguard involves a senator's daughter, Chloe, who's in the midst of her dad running for President of the United States of America and Ian, a tattooed, smoking hot guy, who has lived his life in foster care with his brother Jake. Ian has a long wrap sheet of criminal activity from his youth and can't seem to shake the persona. Jake gives him a job in his security detail and that is where Ian first meets Senator Moore. He saves him from being shot at an open concert. This puts Ian high on Senator Moore's list of people to guard Chloe. The only problem is Chloe is a twenty-one year old UCLA student that doesn't want a baby sitter but she sure wants Ian!

Throughout the story we learn a lot about what makes up the two characters. Chloe lost her mother when she was young and because of her dad's political career, he had very limited time for her. He was one of those dads that gave gifts to show love instead of actions. Ian, although he looks tough on the outside, is very much a man looking for a woman to love him. He had a girlfriend once, but she died in his arms from an overdose, which apparently, he helped her get hooked on drugs. The two go through some rough times of testing each other, but in the end fall in love. This story has the wonderful style of Ali Parker of love with a little drama on the side. Another wonderful read and would recommend!

11 of 12 people found the following review helpful.
Great beginning...
By Jane Elizabeth
To a new series of books. (Not a cliffhanger. ) Very well written and fast paced. The story had just enough action to add some excitement to the romance. The main characters were well developed, and fit their rolls in the story. Definitely recommend this book!

See all 135 customer reviews...

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Monday, 2 June 2014

[F946.Ebook] Download PDF Elementary Korean Second Edition: (Downloadable Audio Included), by Jaehoon Yeon Ross King

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Elementary Korean Second Edition: (Downloadable Audio Included), by Jaehoon Yeon Ross King

This is a comprehensive and detailed introductory Korean textbook and language learning package.

Korean is now the 15th most popular language taught at American universities. This new edition of Elementary Korean, the most comprehensive and detailed introductory Korean textbook available, offers beginning learners of Korean everything they need to learn the language effectively. Perfect for a first-year university-level course use or for the independent language learner. No prior knowledge of the language is necessary.

The new format, now with dozens of illustrations, presents Korean vocabulary and Korean grammar in an accessible and understandable manner while extensive conversations and exercises help to reinforce the Korean language and build reading and listening comprehension.

This edition includes:

  • An MP3 audio CD and dedicated website.
  • Rich and highly nuanced examples with brand new illustrations.
  • Detailed but on–technical grammar notes, ample writing exercises with an accompanying answer key.
  • Detailed examples of authentic dialogue.
  • Highly technical grammar notes.
  • Plenty of writing practice.
Dialogues, reading texts, and written exercises are in Hangul, the Korean alphabet, so students are quickly able to read and write authentic Korean. Layered lessons are designed to build on each other, making Korean easy to learn from the most popular introductory Korean language textbook available. Included is a revised audio CD that helps learners to speak like a native, and a web-based practice component through the University of British Columbia that can help students to learn Korean even beyond the pages of this book. According to the Modern Language Association, enrollment in Korean in American universities is growing rapidly.

Available separately is the companion Elementary Korean Workbook. This helpful workbook will assist you in practicing and polishing your Korean language skills. Each lesson supplements the corresponding lesson in the textbook. There are ten activities per lesson, offering a range of exercises and practice opportunities to enable you to achieve proficiency in everyday, conversational Korean.

  • Sales Rank: #272848 in eBooks
  • Published on: 2014-07-20
  • Released on: 2014-07-20
  • Format: Kindle eBook

Review
"I would definitely recommend this book to serious independent learners and teachers who are giving Beginner level classes." —Language Trainers blog

"Elementary Korean's clear in-depth treatment will undoubtedly propel the beginner learner forward in their quest to master the Korean language…" —Loving Korean blog

"Elementary Korean is the golden standard for learning Korean. It is the most thorough and all–round introduction to Korean that I know of. The logical structure makes it easy to follow." —Perapera Language Tools blog

"The explanations of grammar are very easy to understand and very thorough. The vocabulary lists are very good as well. I just highly recommend these books because they are very easy to understand, nice hardback books with a good binding, include an audio cd, and also present good vocabulary and grammar." —Learnkoreanlangauge.com blog

"So far the best books I've seen for self study seem to be King and Yeon's Elementary Korean. They come with CD's the workbook comes with an answer key, they get great reviews, and in general, they should serve youwell for taking you through the basics on your own." —Fluentforever.com blog

"Comes with CD and the beginning hits you with the basics: simple phrases and hangul. Each lesson builds upon the grammar you've learned in the previous lesson so it's not hard. Well organized and easy to get through." —Linguajunkie.com blog

"The layout makes for a digestible read; each chapter begins with a dialogue and vocabulary list, followed by grammar points and exercises. The chapters are spattered with side notes that warn about common mistakes and caveats in a given lesson. I also have the accompanying workbook, which gives a lot of good practice." —Goodreads

"I like this book because it explains the 'how' and 'when' when it comes to proper usage of Korean language grammar." —Saranghae Korean bog

About the Author
Ross King, Ph.D., is Professor of Korean and Head of the Department of Asian Studies at the University of British Columbia. He completed his B.A. in Linguistics at Yale and his doctorate in Linguistics (Korean) at Harvard.

Jaehoon Yeon, Ph.D., is Professor of Korean Language and Linguistics and Chair of the Centre of Korean Studies at the School of Oriental and African Studies (SOAS), University of London. He has published many books and articles on Korean grammar and linguistics.

Most helpful customer reviews

102 of 102 people found the following review helpful.
Elementary Korean is the best
By Russell D. Holloway
After studying Korean (on my own using internet sources etc etc) I have decided that this book is definitely by far one of the best books you can get for Korean. It contains an incredible amount of information. Most courses are quite small for Korean and do not contain a great deal, or are hard to manage. I have looked at the Rosetta Stone series for Korean (costing $300) and this $50 book is by far better than that whole program. It is better than any books I have seen in book stores. I have done the Pimsleur course which is a little strange in my opinion. Pimsleur does help with pronunciation a little bit but some of the language structure is a bit weird and not natural for the Korean Language. I feel that ever since I bought this book a couple weeks ago (I am on lesson 6 out of 15 I believe) I am learning at a much faster pace than I ever was before.

1) The grammar in this is excellent. It contains many many grammar points for every chapter and introduces them in a nice order (meaning you get important stuff first unlike some other courses I have looked at where you have to wait till near the end of the course to really dig into some good grammar).
2) The vocabulary consists of a surplus of words that anyone could ever want to learn as they are starting Korean.

I admit, this course is really hard and does contain a lot of information right from the start and might be hard on someone who does not know anything about Korean, but if you have already begun looking into the Korean Language, I highly recommend this. I do not know how good of a job it does teaching Hangul as I already knew most Hangul when beginning this book, but I do know it covered some points and specific irregulars and pronunciation rules that I had not previously known so it probably is very good at Hangul as well. Others have said to do the 2 Hangul chapters first, which might be a good idea to someone who does not know it. It should be a pretty good book for teaching Hangul but I am not entirely sure if it teaches well and easy to understand for someone who does not know Hangul, but it seems to do a good job. The first two chapters on just basic sentences and sayings people should know were alright in my opinion. Chapter 1 is good because it deals with just simple things like yes, no, nice to meet you, thank you, etc...But honestly, the romanization confuses me very very much so I would learn Hangul first (it has both romanization and Hangul in the chapters 1 and 2 because they do not introduce Hangul until chapter 3). The romanization has a chart for how to pronounce all the strange letters they use for romanization and all, and I honestly think Hangul would be much easier to learn than learning romanization used in these two chapters. But if you know the Hangul (which is covered in the book) then chapter 1 is very good. Chapter 2 covers basic information on what a teacher might say in the classroom or the students, which didn't do much for me as I am learning completely on my own. 3 and 4 is Hangul. Chapter 5 is where this book finally really kicks in. Starting with Chapter 5 you have all your lists of vocabulary, your dialogues, and many explanations on grammar. Chapter 5 is where it gets intense.

People have mentioned the audio cd is not very good. I disagree. I think it is excellent. Even though it is just one 74 minute cd (seemed like it wouldn't last very long) it has most anything on the cd you would want being pronounced. It does not give you time to repeat after them or does not say words twice, but it fits a lot of words and spoken Korean on the one cd. You can listen to it and figure out how the word should be said. The woman speaker speaks at a nice pace, while the male speaker is a little faster but still a nice pace in my opinion. Listening to the male speaker helps build your listening comprehension because when speaking with a real Korean it will be just as hard if not harder to understand. The cd is excellent in my opinion.

Lastly, I want to mention the exercises. There are exercises at the ends of the chapters (mainly beginning with Chapter 5 when the real lessons begin) which I highly recommend you doing. Luckily I am highly interested in the Korean language and find it very fun to learn so I can make myself do them. Some may seem a bit dull or long or pointless at first but I know that's not the case. When it says figure out what this is in Korean and write out the WHOLE sentence for each one, I highly recommend doing that. It will greatly help, even if it is a lot of work. It has all the answers (or answers that work - for example if it says translate this sentence into Korean, it will give a correct translation, when there are a couple different ways to translate it. That is the only problem I have found so far. Sometimes its hard to check your answers if your working on your own and they only give one possible solution...but, they do cover an answer for every exercise in the book.).

Overall, I like everything about this book. It covers everything very well.

76 of 79 people found the following review helpful.
nice book
By esseyo
Since I am looking mostly for reading/writing proficiency I find this to be a great book.

+ The grammar notes are clear and well illustrated.
+ The vocabulary is a lot but not completely overwhelming. The authors try to group closely related words physically close together to reduce the cost of learning new vocabulary.
+ Better than Myondo in presentation of material. Instead of spreading out related grammar material, it tries to present them together.
+ What I think is really great are the pronunciation rules ... you won't find this kind of practicality and detail in most other text. (Now, Myondo is very detailed but describing ssang-chiut as a voiceless alveo-palatal glottalized affricative isn't particularly helpful to me).
+ No Chinese characters are used in this book which is a plus at this level since Chinese characters rarely appear in the main text of popular Korean newspapers anyway
+ The authors actually provide a decent number of exercises with ANSWERS in the back! Now what they need to publish next is a supplementary reading and exercise book.

- I concur with a previous reviewer that the CD does not have enough basic sound examples.

4.5 stars.

47 of 48 people found the following review helpful.
Wonderful, but difficult book
By Ryan
As others have said, this book is difficult, but wonderful. It will not hold your hand, and you have to be dedicated to learning the language. Personally, I enjoy that its raw learning without all the fluffy stuff (corny graphics, etc). I love that it is all in Hangul without Romanizations (there are only Romanizations in chapters 1-3). I have used other texts that have full Romanizations and many times they end up hurting you in the end because they are wrong, inconsistant, and you become dependant on them. There is also a good Korean-English/English-Korean glossary in the back in Hangul-alphabetical order (most are not), so you don't really need a dictionary yet, but of course one wouldn't hurt (warning: the dictionary with the big L on the cover is good, but in Romanized-alphabetical order which can be a pain for looking up Hangul words). Here are some things that will help you though:
-Yes, the CD is super fast, but that is the normal speaking speed in Korea. What I did to make it easier to hear was to play the CD in Windows Media Player and use the "Play Speed" function to slow down the CD. It really helped!
-Have a very basic understanding of some linguistics terms such as voiced, unvoiced, unreleased, aspirated. The authors are trained linguistics and sometimes use some jargon, although it is usually explained.
-I highly recommend learning Hangul (the Korean alphabet) before starting this book. The authors do not introduce it (but still use it) until chapter 3, which is very difficult if you do not have a Korean teacher.
-That brings my last point. If you know a native Korean, make sure you use him/her as a resource. That probably goes without saying for any book. However, I have been learning Korean about 90% on my own, and have used this book as my guide fairly successfully (no fault of the book; it is just a HARD language to grasp).
Good luck with your Korean learning!

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Sunday, 25 May 2014

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Hotel and Lodging Management: An Introduction, 2nd Edition, by Alan T. Stutts, James F. Wortman

Hotel and Lodging Management, Second Edition prepares readers to succeed as managers in the hotel and lodging industry, while developing a solid foundation for a long and successful career. This comprehensive resource combines detailed presentations of each department in a hotel or lodging establishment along with a close examination of organizational structure and the interdependent relationship among departments.

This updated Second Edition presents:

  • New, completely updated chapters on human resources and the sales and marketing departments
  • Up-to-date case studies reflecting the latest management trends and issues
  • Profiles of industry pioneers working at all types of properties, from small motels to five-star hotels
  • New sections on yield management, lodging environments, franchise companies, and management organizations
Hotel and Lodging Management, Second Edition is a comprehensive tool to help readers develop the understanding, knowledge, and skills to be tomorrow's management leaders.

  • Sales Rank: #463504 in Books
  • Brand: Brand: Wiley
  • Published on: 2005-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .80" w x 7.70" l, 1.78 pounds
  • Binding: Hardcover
  • 368 pages
Features
  • Used Book in Good Condition

From the Back Cover
The updated edition of the complete resource for a successful career in hotel and lodging management

Hotel and Lodging Management, Second Edition Hotel and Lodging Management, Second Edition Hotel and Lodging Management, Second Edition prepares readers to succeed as managers in the hotel and lodging industry, while developing a solid foundation for a long and successful career. This comprehensive resource combines detailed presentations of each department in a hotel or lodging establishment along with a close examination of organizational structure and the interdependent relationship among departments.

This updated Second Edition presents:

  • New, completely updated chapters on human resources and the sales and marketing departments
  • Up-to-date case studies reflecting the latest management trends and issues
  • Profiles of industry pioneers working at all types of properties, from small motels to five-star hotels
  • New sections on yield management, lodging environments, franchise companies, and management organizations

Hotel and Lodging Management, Second Edition is a comprehensive tool to help readers develop the understanding, knowledge, and skills to be tomorrow's management leaders.Hotel and Lodging Management, Second Edition is a comprehensive tool to help readers develop the understanding, knowledge, and skills to be tomorrow's management leaders.

About the Author
Alan T. Stutts is President of Brown College. He has received the Stevenson-Fletcher Academic Excellence Award from the Counsel of Hotel, Restaurant, and Institutional Educators International (CHRIE), and the Lamp of Knowledge Award from the Educational Institute of the American Hotel and Lodging Association. He is the author of four books and numerous articles, and is the editor of several publications.

James F. Wortman is a lecturer at the Conrad N. Hilton College of Hotel and Restaurant Management at the University of Houston, where he teaches hotel management and is Director of the Office of Gaming Education and Research.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I do not recommend this book
By Inbum Suh
Honestly, you can learn everything this book teaches you when you work in hotel. I do not recommend this book. I only got this book because it was mandatory for class.

0 of 0 people found the following review helpful.
School book
By Ashley
I purchased this book for a class at school. The book is very light-weight and fit well in my backpack. All of the information was very useful and helpful for my class.

0 of 0 people found the following review helpful.
A great overview of the lodging industry
By Philip Wu
A great overview of the lodging industry. Well organized and highly informative on every aspect of the hotel/motel industry from A-Z. The book is easy to read and is helping me to earn a 98% average score in class so far. Delivered on time for my class assignments.

See all 12 customer reviews...

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Sunday, 11 May 2014

[X408.Ebook] PDF Download Artworld Prestige: Arguing Cultural Value, by Timothy Van Laar, Leonard Diepeveen

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Artworld Prestige: Arguing Cultural Value, by Timothy Van Laar, Leonard Diepeveen

Why does the artworld often privilege one cultural form over another? Why does it grant more attention to reviews in, say, Artforum over ARTnews? And how can an artist once hailed as visionary be dismissed as derivative just a few years later? Exploring the ever-shifting estimations of value that make up the confluence of artists, critics, patrons, and gallery owners known as the artworld, Timothy van Laar and Leonard Diepeveen argue that prestige, a matter of socially constructed deference and conferral, plays an indispensable role in the attention and reception given to modern and contemporary art.

After an initial chapter that develops a theory of prestige and the poignancy of its loss, the book looks at how arguments of prestige function in systems of representation, various media, and art's relationship to affect. It considers twentieth-century artists who moved not away from, but toward figuration; looks at what is at stake in the recurrent argument about the death of painting; examines the decline and an apparent return of sensual pleasure as a central attribute of visual art; and concludes with a look at the peculiar function of prestige in outsider art.

Illustrated with artwork by David Park, Jorge Pardo, Gerhard Richter, Anish Kapoor, Cecily Brown, Howard Finster, and others, Artworld Prestige provides an engaging guide to the changes, debates, and shifts that animate aesthetic judgments.

  • Sales Rank: #1589648 in Books
  • Published on: 2013-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.80" h x .80" w x 8.40" l, .85 pounds
  • Binding: Hardcover
  • 224 pages

Review

"In clear, lively prose, the authors have crafted an original and compelling field guide to the higher realms of contemporary art criticism and the way it confers or denies the halos of prestige. The vantage point they take enables them to illuminate some startling values, dogmas, and blind spots that lie hidden within familiar art world discourse."--Carol Duncan, author of Civilizing Rituals: Inside Public Art Museums


"In a series of nicely described case studies, the authors show how understanding prestige involves analyzing the most obdurate terms of modernism and postmodernism: self-awareness, relevance, theory, difficulty, irony, pleasure, seriousness, professionalism, the instability of meaning, and the refusal of sense. This will be a very helpful book for anyone struggling to understand how the artworld produces its unpredictable judgments."--James Elkins, author of What Painting Is


About the Author

Timothy Van Laar is Professor of Art at the University of Illinois at Urbana-Champaign. He is the coauthor of Active Sights and Art with a Difference.

Leonard Diepeveen is Professor of English at Dalhousie University. He is author of Changing Voices: The Modern Quoting Poem and The Difficulties of Modernism.

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3 of 3 people found the following review helpful.
A major step forward in the institutional theory of art but stops short of the finish line
By John Armstrong
In this short but meaty book the authors make what I think is a real breakthrough in our understanding of value in art. They embrace the so-called institutional theory of art put forth most notably by philosophers George Dickie and Arthur Danto and take it from the world of axioms and thought experiments into the real world, which is to say the real NY-centered art world of the last fifty years. (They have little if any interest in the broader world in which the art world exists.)

They zero in on a central principle of the institutional theory of art, which is that the status of a work of art is not intrinsic to the work but is conferred by the artworld to which the work is presented. They look at how this conferral works - who does it, when, and how. They stress that the process is collaborative (more exactly negotiative, if there is such a word), and that it involves advocacy for and against the work that ends in some form of consensus. They allow that the consensus may not be complete, that it may involve ambivalence, and, most importantly, that it may be reversed at some later date, so that a work may lose the status it was originally granted, or gain status that was originally withheld from it.

They could have called the status conferred on a work (and occasionally withdrawn from it) simply value, but then they would have had to explain which of the various meanings of the word they did and did not intend in their usage of it. Instead, they choose a different word, prestige. Prestige is a primitive: we have an instinctive sense for it. It can be rationalized but doesn't have to be. The one intrinsic property it has is that it is desirable. And it's social - it's not merely something we want to have, it's something we want others to know we have. (A nice thing about prestige is that it's transitive. You can have prestige by having it conferred directly on you, you can have it by owning a work of art by an artist that has prestige, you can have it by knowing people who have prestige, and so on.) The term prestige as used by the authors names the exact thing in the artworld that everybody is aware of but nobody has found a really satisfactory way of talking about.

To my mind the model of negotiated and periodically renegotiated value, grounded in desire and social dynamics, is the real breakthrough of the book. The first chapter, in which the authors lay out the model, is compelling, even exciting. But their real interest is not in the core model but rather in the kind of intellectual discourse that it engenders. (This is actually called out in the full title of the book: Artworld Prestige: Arguing Cultural Value.) Their real interest is in the rhetoric - the words, the tropes, the argumentational tactics - employed by those who want to confer or withhold value/prestige in a given situation. The orientation of the book is thus primarily linguistic rather than sociological. (Or economic; they rarely talk about money or the "market".)

In the first chapter, as well as the following four (the last, though called a conclusion, introduces new material and is really a chapter in its own right), they consider a number of specific events which have caused people to argue about art.

The main large scale developments they look at include the end of Abstract Expressionism, the return (or returns) to figurative painting, the rise of stylistic pluralism, assaults on painting by Conceptualists and their kin (united under the cry of "painting is dead"), the rise of feminism and what some would call political correctness in art, attempts to bring pleasure (including beauty and "the aesthetic") back into art, and coming to terms with outsider art.

Examples of the specific events they examine are Greenberg's failed attempt to anoint Jules Olitski as "the best painter alive", Frank Gallo's fall from grace due to the belatedly perceived sexist nature of his work, the consternation caused by Phillip Guston's dramatic switch from abstract to figurative painting, Gerhard Richter's sustained parallel efforts in abstract and figurative styles, the difficulty of establishing a permanent place for American and German Neo-Expressionists, the eternally precarious status of David Hockney, and more (though not much for the considerations of pleasure and outsider art).

The authors present the specific incidents not merely as things that happened but as things that people pronounced on as they happened, whether expressing approval or disapproval. They quote contemporary writings (mostly formal writings but also some interviews) on both sides, and note the ways the participants argue their positions.

I am honestly not sure how much new there is in their analyses. A lot of it is standard rhetoric. Some points that I gleaned are:

* The standard term of praise for art is "serious". It indicates the artist knows what they are doing, that they have a purpose, that the work they are making serves that purpose. Importantly, seriousness is not tied to any particular theory or grand narrative of art.

* The artworld has an elite that you want to connect yourself to. The key characteristic of that elite is professionalism, meaning educated, possessed of specific knowledge (especially of art theory and art history), intelligent, and able to assess seriousness.

* If you are arguing a majority (status quo) position, be calm and hold to the high road. If you are arguing a minority (non-status quo) position, go for a dramatic strike that reduces your opponents' position to nothing (as "painting is dead!")

* Avoid presenting the art you are promoting as being purely what it is. Represent it as being "about" something, or "quoting" something, or, at the very least, as being ironic.

I'm caricaturing to some degree, but these really are the kinds of things they talk about.

This is a good book, definitely worth reading. I think it could have been a great book, if only the authors had paid more attention to the full range of social behaviors that go into the negotiation of prestige and not focused so narrowly on purely verbal ones (which are seen as constituting "the discourse" but I suspect are often no more than after the fact rationalizations of things worked out in much more down to earth ways).

I give it five stars for the first chapter and 3 1/2 stars for the rest, and 4 stars for the book as a whole.

2 of 2 people found the following review helpful.
Most enlightening analysis of the perplexing categories delineating the Western Art World
By dominique de Gery
This frank, direct analysis of the current attitudes in the western, American dominated art world is not for the faint of heart. It's aim is anatomical rather than judgmental, which can, at times, feel brutal. The authors have done a thorough job of identifying and describing the discourse and undercurrents of the art world's pluralistic structure, by describing three separate but unequal parts: Professionalism, Amateurism, and finally, almost as a postscript, Outsider art.
"Artworld Prestige" addresses the issue of why the current erudite, art world elite have decreed not only painting but perhaps all Art as "dead". It covers the theoretical progression from the enlightenment, Duchamp to Sol Lewitt, Damien Hirst and Murakami-Takashi, comparing them to artist like David Hockney, who although popular and certainly respected in the Art World, still has a whiff of amateurism about his work.
Timothy Van Laar and Leonard Diepeveen refer to an exhaustive number of important scholars, critics and art theorist, to analyse the Artworld's movement away from beauty, pleasure and an appreciation for the technical or material aspects towards a reverence for self-referential theorizing. In its relatively few pages, this book has managed to include an impressive number of need-to-know contemporary players.
Ultimately, however, I was left with the rather depressing conclusion that the art world mimicked the contemporary social/economic American system too closely for comfort. While it is a demonstrable truth that prestige is conferred democratically by the many upon the few and rare, the mechanisms here describe an elitist stratification. Although the artistic dialogue has progressed, art is still very much tied to the material world by the nature of its patronage.
This book has a great deal to offer students, collectors, art enthusiast and scholars, whether through its thoughtful and comprehensive definitions, or its list of sources and examples.

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Friday, 9 May 2014

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  • Published on: 1605
  • Binding: Hardcover

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Saturday, 3 May 2014

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Rambler Canada: The Little Company that Could, by James C. Mays

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Buckle up for a breakneck-speed joyride through the rich history of the boldest and toughest of the independent automakers. Meticulously researched, this is one manufacturing saga that never lets up on the accellerator. Written in sparkling style and filled with historic pictures, this book is as fast as AMC's 401-cubic inch V-8 engine.

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  • Sales Rank: #10076434 in Books
  • Published on: 2001-10-18
  • Binding: Paperback
  • 114 pages

About the Author
James C. Mays is an award-winning automobile historian, author and broadcaster. An honourary employee of AMC Canada he is also a member of the Society of Automotive Historians.

The author is a graduate of Andrews University in Michigan and Concordian University in Montreal where he lives with his collection of movie and celebrity-owned AMC cars.

This is his twenty-sixth book and his third automotive history.

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Best book about Nash/Rambler/AMC in Canada!
By Francis G. Swygert
This is probably the most comprehensive history of the Nash/Rambler/AMC operations in Canada. It's arranged in a style that makes raw facts a little hard to dig up, but it's a much easier and enjoyable read than just raw data. It is written like a series of interviews with different people and families that were primary forces for the company, from the company secretary and a couple large dealers, to the president. There are plenty interesting facts laced through the stories. I didn't realize that from 64 on all the Canadian cars had white headliners instead of coordinating colors. Even the AMC president didn't notice when given a ride in one! Saved the Canadian plant lots of money not to stock multiple colors. I'm an AMC historian myself, and highly recommend this book. I used it to dig up facts about the AMC operations, that's why I mention facts being a little hard to dig up. Most would just enjoy reading the very interesting stories.

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Young, by Abercrombie & Fitch; Bruce Weber

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Young, by Abercrombie & Fitch; Bruce Weber

  • Sales Rank: #7114148 in Books
  • Published on: 2004
  • Binding: Paperback

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